Rip Curl Reloj de marea a1025g-blk Kirra oceantide Poliuretano Color Negro para Mujer

***** CONDICIONES PARA LA VENTA *****
1.- Tiempo de entrega de 3 a 5 días Hábiles.
2.- Enviamos su compra a cualquier parte del país.
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***** TITULO COMPLETO *****
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Rip Curl Reloj de marea a1025g-blk Kirra oceantide Poliuretano Color Negro para Mujer.
***** DESCRIPCIÓN DEL PRODUCTO *****
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Sistema automático de marea (ATS): sistema patentado con un promedio de marea de Rip Curl.) fácilmente a las playas de miles de todo el mundo. Hora dual, luz, temporizador de cuenta atrás, cronómetro, alarma, fecha y funciones 316L acero inoxidable caso: el más alto grado de acero inoxidable para la resistencia al agua, fuerza y non-corrosion en un medio ambiente marino. Poly uretano correa repele el agua, resiste cambios de temperatura espectacular, y es muy resistente a desgarros. Resistente al agua hasta 100 m (330 pies): adecuado para esnórquel, así como la natación, pero no para buceo . null . Descripción del producto De Rip Curl Kirra oceantide Watch es el último elegante reloj deportivo para ladies. Características: 316L acero inoxidable; automático Tide System; Alarma; temporizador de cuenta atrás Cronómetro; Dual luz de tiempo;;; visualización de fecha; 100 M resistente al agua; Correa de PU. The year: 1969. A man ed Armstrong is about to walk on the moon. (In fact, the day he does so, Bells Beach is ten foot and near perfect. Two Torquay locals, Charlie Bartlett and Brian Singer, surf their brains out before going home to watch the other momentous event on black and white TV.) In Australia, surfing is at a curious stage of its development. The “short board revolution” of 1967 has created a frenzy of experimentation in surfboard design and surfing technique. In the cool climate of Victoria, sanity prevails in design and technique, if not in the temperaments of the surfers. The cold, always a great leveller, has created a hardy breed of surfer who has no time for the hoopla and hype of the glitter beach capitals of the world. And by 1969 these like-minded souls have begun to gravitate towards the equally no-frills seaside town of Torquay, just a couple of kilometers away from Bells Beach, home of some of the most challenging waves in Australia. And it is into this environment that Doug “Claw” Warbrick and Brian “Sing Ding” Singer decide to pitch their fledgling surf company, Rip Curl. And yes, it will be ed Rip Curl. Rip Curl Surfboards did well in a highly competitive market which had opened up in response to the revolution in design. Pioneers like Gordon Woods and Barry Bennett in Sydney and George Rice in Victoria had been joined by hundreds of wide-eyed hopefuls operating, like Rip Curl, out of garages and tool sheds. In many cases enthusiasm and innovation overshadowed technical expertise and quality, but Rip Curl concentrated on producing a small number of functional surfcraft for local waves. In 1970, however, Warbrick and Singer made the decision which changes forever the nature of their fledgling company. Looking at the essential needs of their fellow surfers in cold-water Victoria, they see that one a board to ride is being serviced by too many companies, while the other a wetsuit to keep out the cold is being serviced by only two, one of whom makes wetsuits for divers and has only a marginal commercial interest in surfing. Rip Curl took over an old house in Torquay and the partners made a small investment in a pre-World War II sewing machine. They put together a crew of locals and went into production, cutting out the rubber on the floor and handing the pieces to an over-worked and underpaid machinist. By today’s standards, the prototype Rip Curl wetsuits were primitive, but they differed from others on the market in that they evolved through interaction with surfers. The people who ran the company were and still are the test pilots. There can be no more direct line of communication... . null