• Rip Curl de los hombres a2397-mgr Digital Surf ABS Funda y correa reloj

Rip Curl de los hombres a2397-mgr Digital Surf ABS Funda y correa reloj

  • Product Code: 1564990184-4684
  • Availability: In Stock
  • $ 173.91


***** CONDICIONES PARA LA VENTA *****
1.- Tiempo de entrega de 3 a 5 días Hábiles.
2.- Enviamos su compra a cualquier parte del país.
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***** TITULO COMPLETO *****
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Rip Curl de los hombres a2397-mgr Digital Surf ABS Funda y correa reloj.
***** DESCRIPCIÓN DEL PRODUCTO *****
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Digital quatrz movimiento ABS Alto Impacto Carcasa PU correa doble inyectado Cronógrafo, coutdown, temporizador y alarma Resistente al agua hasta 100 m (330 pies): adecuado para esnórquel, así como la natación, pero no para buceo . null . Descripción del producto La Drift reloj digital de Rip Curl está hecho de plástico ABS. Este es un plástico ligero duro con una alta resistencia de impacto que se utiliza en la construcción de funda y correa. Características de este reloj Dual Time, luz, y temporizador de cuenta atrás. También viene con un reloj de alarma, fecha y hora, y cronómetro. Profundidad probado a 100 m. The year: 1969. A man ed Armstrong is about to walk on the moon. (In fact, the day he does so, Bells Beach is ten foot and near perfect. Two Torquay locals, Charlie Bartlett and Brian Singer, surf their brains out before going home to watch the other momentous event on black and white TV.) In Australia, surfing is at a curious stage of its development. The “short board revolution” of 1967 has created a frenzy of experimentation in surfboard design and surfing technique. In the cool climate of Victoria, sanity prevails in design and technique, if not in the temperaments of the surfers. The cold, always a great leveller, has created a hardy breed of surfer who has no time for the hoopla and hype of the glitter beach capitals of the world. And by 1969 these like-minded souls have begun to gravitate towards the equally no-frills seaside town of Torquay, just a couple of kilometers away from Bells Beach, home of some of the most challenging waves in Australia. And it is into this environment that Doug “Claw” Warbrick and Brian “Sing Ding” Singer decide to pitch their fledgling surf company, Rip Curl. And yes, it will be ed Rip Curl. Rip Curl Surfboards did well in a highly competitive market which had opened up in response to the revolution in design. Pioneers like Gordon Woods and Barry Bennett in Sydney and George Rice in Victoria had been joined by hundreds of wide-eyed hopefuls operating, like Rip Curl, out of garages and tool sheds. In many cases enthusiasm and innovation overshadowed technical expertise and quality, but Rip Curl concentrated on producing a small number of functional surfcraft for local waves. In 1970, however, Warbrick and Singer made the decision which changes forever the nature of their fledgling company. Looking at the essential needs of their fellow surfers in cold-water Victoria, they see that one a board to ride is being serviced by too many companies, while the other a wetsuit to keep out the cold is being serviced by only two, one of whom makes wetsuits for divers and has only a marginal commercial interest in surfing. Rip Curl took over an old house in Torquay and the partners made a small investment in a pre-World War II sewing machine. They put together a crew of locals and went into production, cutting out the rubber on the floor and handing the pieces to an over-worked and underpaid machinist. By today’s standards, the prototype Rip Curl wetsuits were primitive, but they differed from others on the market in that they evolved through interaction with surfers. The people who ran the company were and still are the test pilots. There can be no more direct line of communication... . null



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